Wednesday 30 September 2015

Thursday 24 September 2015

Audience Theory

Blumer and Katz Uses and Gratifications Theory

 

The Hypodermic Needle Theory

Powered by emaze
Stuart Hall Reception Theory



Here is a video which included Stuart Hall presenting his representation theory further;



Semiotics (Encoding - denotation and Decoding - connotation)
Decoding is our interpretation
Encoding is the source that the media is within i.e. newspapers etc.
Media texts are encoded by the producer. These texts are full of ideologies values and messages. The text is decoded by an audience and they respond to the text in the same way. In some cases not how the producer intended.
Lady Gaga dress – management encoded a message to the audience by a statement (the dress) this is called a preferred reading. The audience decode it differently therefore when it is not understood this is when conflict can begin, the message is ineffective.
Hall identified 3 different types of audience readings or decoding of the text
·       Dominant or preferred – agreed, products is doing what it’s doing.
·       Negotiated – agree with some of it but not all of it. It is a compromise between dominant and oppositional.
·       Oppositional – don’t agree with it at all.

How can our understanding be determined? These are the factors whether we take the dominant, oppositional or negotiated reading.
·       Life experience – older and wiser?
·       Mood at the time of viewing – If upset, mad or angry there won’t be as good of a connection between the audience and the viewer like usual.
·       Age – Relatable subject due to age i.e. television programmes
·       Culture – Cultures have different opinions on things
·       Beliefs - certain beliefs, i.e. religion etc. More open or closed mind upon a subject.
·       Gender – Perceives things differently


In lessons, we looked at a video called 'Smack my B**ch up'. One of the most controversial music videos of all time. I then asked about the opinions of everyone in the class to write a statement for the dominant, negotiated and opposition. 


Wednesday 23 September 2015

Media Language

Media Language

Introduction

Every medium has its own ‘language’ – or combination of languages – that it uses to communicate meaning. Television, for example, uses verbal and written language as well as the languages of moving images and sounds.

According to philosopher Charles Sanders Peirce (1931), “we think only in signs” .


Signs take the form of words, images, sounds, odours, flavours, acts or objects, but such 
things have no intrinsic meaning and become signs only when we invest them with 
meaning. 

Anything can be a sign as long as someone interprets it as 'signifying' something - referring to or standing for something other than itself. We interpret things as signs largely unconsciously by relating them to familiar systems of conventions. It is this meaningful use of signs which is at the heart of the concerns of semiotics. 


Roland Barthes
Semiotics

Roland Barthes - 'death of the author'  the audience create its meaning as they are the ones who interpret.

Every medium has its own language or combination of languages.
Television uses sound and verbal language and written.

Media messages are constructed using a creative language with its own rules. Each form of communication-whether newspapers, TV game shows or horror movies-- has its own creative language: scary music heightens fear, camera close-ups convey intimacy, big headlines signal significance.

Understanding the grammar, syntax and metaphor system of media language, especially the language of sounds and visuals which can reach beyond the rational to our deepest emotional core, increases our appreciation and enjoyment of media experiences as well as helps us to be less susceptible to manipulation. Barthes created the idea that there is a signifier and signified. 



Pierce
Semiotics


3 TYPES OF SIGNS 

Icon/iconic: a mode in which the signifier is perceived as resembling or imitating the signified (recognizably looking, sounding, feeling, tasting or smelling like it) - being similar in possessing some of its qualities: e.g. a portrait, a cartoon, a scale-model, onomatopoeia, metaphors, 'realistic' sounds in 'programme music', sound effects in radio drama, a dubbed film soundtrack, imitative gestures; 

Index/indexical: a mode in which the signifier is not arbitrary but is directly connected in some way (physically or causally) to the signified - this link can be observed or inferred: e.g. 'natural signs' (smoke, thunder, footprints, echoes, non-synthetic odours and flavours), medical symptoms (pain, a rash, pulse-rate), measuring instruments (weathercock, thermometer, clock, spirit-level).

Symbol/symbolic: a mode in which the signifier does not resemble the signified but which is fundamentally arbitrary or purely conventional - so that the relationship must be learnt: e.g. language in general (plus specific languages, alphabetical letters, punctuation marks, words, phrases and sentences), numbers, morse code, traffic lights, national flags.

Fiske & Hartley
Semiotics and Representation 
DENOTATION, CONNOTATION AND MYTH 

In semiotics, denotation and connotation are terms describing the relationship between the signifier and its signified, and an analytic distinction is made between two types of signifieds: a denotative signified and a connotative signified. Meaning includes both denotation and connotation. 

As Roland Barthes (1967) noted, Saussure's model of the sign focused on denotation at the expense of connotation and it was left to subsequent theorists (notably Barthes himself) to offer an account of this important dimension of meaning .

Barthes (1977) argued that in photography connotation can be (analytically) distinguished from denotation. 
As John Fiske (1982)  puts it “denotation is what is photographed, connotation is how it is photographed”. Link to Barthes’ editing at stage of production we discussed.

Related to connotation is what Roland Barthes (1977)  refers to as myth. For Barthes myths were the dominant ideologies of our time. The 1st and 2nd orders of signification called denotation and connotation combine to produce ideology - which has been described as a third order of signification by Fiske and Hartley (1982). 
Media is communication. Discuss the ways that you have used media language to create meanings in one of your media products. 
I have used multiple ways of using language to develop meaning.
Firstly, my use of a dark backdrop develops Barthes theory. The dark backdrop is the signifier which represents many different things. It may resemble the sign of night, or potentially a dark presence. Either way the symbols portrayed by using the basics of light can mean an immense amount. The use of language in sippy cup such as the knife, suggests intertextuality of psycho. This therefore signals to viewers that something dramatic will happen, or even murder (which it turns out to be). Moreover, the various signs which appear in the video such as the girl in clouds with a teddy bear, suggests and represents heaven. Concluding that the daughter herself was murdered. We even assume due to the costumes whom the relations between each character are. The younger daughter has pigtails, a general look of being young. The 'mother' has heavy makeup and high heels with her hair in a 70's up do style. These codes are designed in order for the audience to understand and consume the text accurately and understand the meaning behind the narrative. 

In my AS Media coursework, I was able to convey the language and conventions of a music magazine to my audience effectively. 
The red colour symbolises danger and passion, and black, white and grey all represent the bold impact that the music genre was. In terms of media language the connotation behind the image is the troubled teen. But the denotation is a young adult smoking. There is no meaning, although alongside the text on the page, 'Good Boy Gone Bad' we can gather than the artist on the front is what the text is referring to, therefore the picture of the boy has a developed meaning. 
Even the graffiti on the backdrop resembles troubled adults and rebellion, alongside with the connotations of the magazine title 415 a Californian Police Penal Code for 'disturbing the peace'. All the conventions of any magazine are there although specific for rap/ hip-hop are certain characteristics which develop interest and meaning. The front cover of this magazine is indextial throughout, everything gives a sense of cohesion and develops a meaning to an unknowing audience. 

Sippy cup has the language of sight, not text or sound. Although it is a song there is no sound effects which connect to the video. The music video connects and sends its messages through the use of visual imagery. Initially, the sign of night is clear as the opening image is of a girl in bed, with no light coming through the window. This is a clear example of Barthes and Pierces theories. We already assume subconsciously that it is night in the video due to the lack of light in the shot. 

Narrative Theories

Narrative Theories






Genre Theories

Powered by emaze

Thursday 17 September 2015

Representation Theory

The Video I will be analysing:
Melanie Martinez - Sippy Cup

Lyric Analysis 
“Sippy Cup” is the third single from Melanie Martinez’s debut album, Cry Baby. It’s an alternative song where the Cry Baby character finally reveals the events that follow what takes place in “Dollhouse.” In an interview, Melanie told SPIN Magazine:
The song is basically the bridge between the Dollhouse EP and the Cry Baby album. This song is about what actually “goes down in the kitchen,” a deeper look into Cry Baby’s family life. This is my favorite video I’ve done so far.
In the video, Cry Baby’s mother from the “Dollhouse” video is shown distraught and drunken on the floor. Suddenly her drunken husband stumbles into the house, clutching an unfamiliar woman who is also drunk. They begin to dance in the kitchen as the wife pushes herself to her feet. The wife, seeing her husband has cheated (which was also suggested in the lyrics and video for “Dollhouse”), then murders him and the woman. When Cry Baby comes downstairs and discovers the bodies, the mother catches her with chloroform, chains her to her bed and poisons her…with a sippy cup.
The story and illustration for this song appears on the 7th page of the Cry Baby storybook, reading:
She watches momma sip a drink


Out of a sippy cup that’s pink

Because of that you’d never think

That she’d pass out under the sink



Blood still stains when the sheets are washed 
Sex don't sleep when the lights are off    
This is referring to Blood spots or stains are the hardest to wash out of any fabric and if there’s too much, it’s better to just throw them away. Similar to how someone cheating on you, doesn’t go away when you go to sleep.
“Sex don’t sleep when the lights are off” refers to her father’s infidelity mentioned in “Dollhouse”:
Though the mother may be asleep, that doesn’t mean her husband is by her side; he’s off with another woman.
Similar to Lady Macbeth’s “Out Damned Spot!” scene, Cry Baby' mother is experiencing psychological trauma. Even though shes washed her sheets of the blood, the guilty memory what you did will stain your mind.
In the video, Cry Baby’s father comes home with another woman. Her mother sees it and kills them. Melanie hears all the noise and out of curiosity discovers the murder scene.

Kids are still depressed when you dress them up
And syrup is still syrup in a sippy cup

Dressing children who are depressed in nicer clothes won’t make them any less sad, but it will put on a show in front of outside people.
Syrup in this case is a drug (lean, promethazine and codeine are cough medicines put into a drink to calm a person or make them feel better).
Putting syrup in a cute sippy cup doesn’t mean it’s no longer a drug. No matter how much a person may try to dress up a situation, in the end, the problem persists.
He's still dead when you're done with the bottle

Although the mother in the story tries to drink her remorse away, her husband is still dead and there’s nothing she can do about it.
Juxtaposing the previous lyric, Martinez paints the cough syrup as it really is: a drug. Her mom cannot mask this fact.
A more metaphorical take of the lyric is that the person you’re with won’t change because you’re intoxicated or high, when you’re done with that drink, they’ll still be the same person.

via GIPHY

Of course it's a corpse that you keep in the cradle

This lyric can be taken both literally and metaphorically. Cry Baby’s mother needed a place to hide the dead bodies, so she chose her cradle.
On the other hand, the cradle is a metaphor for Melanie’s childhood. Her mom forced and immortalized the memory of her father’s death into her, ultimately “killing” her childhood innocence.
The cradle may also represent domesticity in general. The mother’s home life has been destroyed, partially by her husband’s cheating and partially by her drinking and enraged murder of her husband and his lover. The metaphorical baby in the crib, which represented the peace, love and togetherness of family life, is long dead, no matter how much the mother tries to hide it.
Kids are still depressed when you dress them up
Syrup is still syrup in a sippy cup

Blood money, blood money
How did you afford this ring that I love, honey?
"Just another shift at the drug company, "
He doesn't think I'm that fucking dumb does he?
Blood money is the compensation that a family receives from the murderer after the murder of a loved one.
Cry Baby’s mother knows this money isn’t clean and that his everyday job isn’t paying for a high quality ring. He’s also probably buying her the ring because of his infidelity.
The father just brushes it off as just another day on the job. He’s actually a drug dealer trying to keep it away from her. He’s oblivious to how much his wife actually knows and is casually insulting her intelligence.
It doesn't matter what you pull up to your home

We know what goes on inside

You call that ass your own, we call that silicone
The characters of the story attempt to change the perception of their neighbors with impressions like luxurious cars to influence the idea of living good – Hiding behind their riches so to speak. The neighbors aren’t falling for it, they know everything that glitters ain’t gold.

Silly girl with silly boys
This line could refer to men not understanding women’s methods of dieting. As most eating disorders occur in women.
It also could mean something related to how women are usually assumed to be dumb or silly compared to boys. Her mom being one of those, who is shown as dumb for not noticing her husband cheating on her and having an illegal job.

Blood still stains when the sheets are washed
Sex don't sleep when the lights are off
Kids are still depressed when you dress them up
And syrup is still syrup in a sippy cup
He's still dead when you're done with the bottle
Of course it's a corpse that you keep in the cradle
Kids are still depressed when you dress them up
Syrup is still syrup in a sippy cup

Sippy cup, s-s-sippy cup, in a sippy cup, sut sippy cup
In a sippy cup, in a sippy cup, in a sippy cup, in a sippy cup


Pill diet, pill diet, if they give you a new pill then you will buy it
There’s a large misconception about diet pills. People believe they can instantly transform their bodies into smaller figures without exercise. Far from true, but advertisements sell weight loss and people are so gullible they’ll give their money away hoping to achieve these feats, while continually trying new things which may severely harm them.

If they say to kill yourself, then you will try it
All the makeup in the world, won't make you less insecure
The media (news, social media, entertainment, published works, etc.) and society places extreme pressure on people and their concepts of perfection, normalcy, and beauty.

You got weights in your pockets, when you go to the doctor's
Her pocket weights trick the doctor’s scale to record her weight to be more than it actually is. Otherwise, the doctor might nag her for her being too underweight.
She cares more about skinniness than her well-being. Her trickery only adds to her society-imposed insecurity.
Your favorite candy's cotton, that's why all your teeth are rotten
Silly girl with silly boys
Known as the cotton ball diet, people dip cotton balls in a drink, usually a sweet one, and swallow it in order to feel fuller and lose weight. Rotten teeth are often a side effect of eating disorders.
This diet is one that the mother partakes in although it is dangerous. As part of her self-denial, she thinks of it as cotton candy.
This line could also be about oxycodone, given the pill diet lyrics. Taking oxycodone all the time and eating it like candy can cause weight loss and tooth decay.

Blood still stains when the sheets are washed
Sex don't sleep when the lights are off
Kids are still depressed when you dress them up
And syrup is still syrup in a sippy cup
He's still dead when you're done with the bottle
Of course it's a corpse that you keep in the cradle
Kids are still depressed when you dress them up
Syrup is still syrup in a sippy cup

Sippy cup, s-s-sippy cup, in a sippy cup, sut sippy cup
In a sippy cup, in a sippy cup, in a sippy cup, in a sippy cup

Blood still stains when the sheets are washed
Sex don't sleep when the lights are off
Kids are still depressed when you dress them up
And syrup is still syrup in a sippy cup

REPRESENTATION THEORIES

Laura Mulvey analysis

'The Male Gaze' 


Although there isn't much evidence of the Male Gaze in the cinematography in Sippy Cup, there is still certain aspects of the video which are designed for that purpose. The picture below is showing the mother licking a knife. The knife is clearly used as a metaphor for male genitals, as even Miley Cyrus has used this technique in Wrecking Ball. This is created on purpose in order to appeal to the heterosexual man who may find this attractive. It could however be seen to be rejecting Mulveys theory, as the woman may be deliberately acting like this in order to show her power. The symbolisation of the knife could suggest she is dangerous. Also common symbolism of knives in mouths are pirates, this could suggest she is vicious and not to be messed with as a woman.



The sexualisation of the mother figure in the video is also accentuated by this cinematography. The low angle shot is directly placed onto the woman's thighs and bottom area. This again is to please the audience who want this element to the video. This could also tie together with Katz and Blumer- Uses and Gratifications theory. As the audience watch Melanie Martinez as they may know she is a rather dark and complex artist. The medias conception of a good body is also what this actress has. She has the 'thigh gap' which also may relate to the "pill diet" comments in the lyrics. Expressing the view that this woman is deeply self concious. 
















 The male gaze may be rejected due to the idea that there is no narration story or plot to this without the leading female or singer. In some ways it is actually suggesting that the male gaze is correct and that behind the scenes of people overshadowing women this can happen. Due to the lack of personification of the other woman however, it is clear she is just used as a prop to suggest the mothers husband is cheating. The fact that the audience never see his mistresses face co insides to Mulvey in that she suggests women play no key role and are merely there for visual pleasure. 

The stereotypical characters Mulvey's theory works with is also housewives and mothers. This would then back up my point whereby it is the male gaze through a different perspective. 


Richard Dyer

'Star Theory'

The background of Melanie Martinez is that she is an alternative pop artist. She is similar to that of Lana Del Rey and Marina and the Diamonds. 

Richard Dyers theory suggests that that icons and celebrities are constructed by institutions for financial gain and target one specific audience/group of people to make profit.Stars create a persona that is desirable to a target audience but is not actually a true representation of themselves. It is a constructed identity and ideology to make society want to consume them.  
So what is Melanie Martinez' persona and target audience? 
Well, my opinion would be that she appeals to a niché audience. She is alternative pop so therefore she brings something slightly different which a niché audience will like. Her persona on social media appears to be somewhat crazy. 
Richard Dyer’s Star Theory is the idea that icons and celebrities are constructed by
institutions for financial reasons and are built to target a specific audience or group of
people. Dyer’s theory can be broken down in to 4 key components:
Stars as constructions
Audience and industry/institution
Ideology and culture
Character and personality
Martinez is signed to Atlantic Records, which is owned by Warner Bros. The label specialises in Jazz, RnB, Soul and Hip-Hop. However they also include many other artists from different genres, such as Bruno Mars, Wiz Khalifa, the Rolling Stones, Skrillex, Clean Bandit, Led Zepplin and Missy Elliot. (To name a few). Therefore they have a lot of experience in developing artists into a variety of genres. 
Stars are constructed, artificial images, even if they are represented as being "real people", experiencing real emotions etc. It helps if their image contains a USP so that they can be copied and/or parodied because of it.
Martinez' unique selling point would be the gap in her teeth and her dyed hair. As shown below. 
He representation is metonyic, (image associated), similarly to Amy Winehouse who has beehive hair or Miley Cyrus with her foam finger. 

Pop stars have the advantage over film stars in that their constructed image may be much more consistent over a period of time, and is not dependent on the creative input of others (e.g. screenwriters writing their lines).
In interviews Melanie is constant throughout. She comes across as a real person in that she has the same attitudes towards meeting celebrities as we do. Dyers theory suggests that this is all an act in order to make the audience believe she is a real person. In reality Dyer states that she would be constructed in that particular way.

Stars are manufactured by the music industry to serve a purpose — to make money out of audiences, who respond to various elements of a star persona by buying records and becoming fans. Martinez appeals to an audience which is not that typical Taylor Swift style. She appeals to those who are young, have a tumblr account etc. This can be seen by the multiple fan blogs on tumblr ( Here's a blog as an example )
Record companies nurture and shape their stars  as the TV talent show processes have shown us. They tend to manufacture what they think audiences want, hence the photocopied nature of many boy bands, teen bands. Melanie Martinez started her career by participating on the Voice US. Throughout the shows she became more individual. The institution want to make money out of their constructed stars and create constructs of stars they believe an audience want to copy. In Martinez' case she represents individuality and can reach out to an audience who feel that all music is that same. 
This is done in such a way which allows institutions to make a fortune from dressing her in peculiar things knowing it will appeal to people. Here is an example



In relation to the music video Sippy Cup Dyers theory does apply in the respect that the institution has used her signature hair and alternative style to create a continuity and for of identity. 

Stars represent shared cultural values and attitudes to promote a certain ideology and this is also what makes them a ‘star’ by having  such a powerful influence an audience. She is able to have an influence on the audience in style and on their outlook of life from her lyrics. 
By making an audience want to mimic stars qualities and conform to their ideologies and promote their attitude. People are inspired to look and behave like her as she is not considered to be a clone of pop culture. 
Stars represent shared cultural values and attitudes that promotes a certain ideology about themselves as an artist and what they want an audience to see what they believe in. Martinez' ideology is all about realism and tragedy. She is unique in the respect that her whole album cry baby intertwines with each song creating a long story line. 
By having dominant desirable ideologies it allows the audience to see their star qualities and make them more desirable. Her ideology is considered to be that she believes in conveying her beliefs in family and growing up. Her music is about the sick reality that children are being poisoned from a young age and that adults are 'big kids'. This comes across in Sippy Cup because the whole point to the story is that the mother is drinking from a childs cup. Because shes still just a child inside. Conveying her beliefs and opinions out side music and film helps a celebrity create a star persona. 
Stars promote their ideologies within culture to make them a consumerable house hold name. Audiences tend to copy or idolise ‘stars’ so promoting their own beliefs makes them more desirable.
Martinez' instagram account. 
In order for her to maintain her persona in her videos, I checked to see what she was like on social media. She tends to be the same, she commonly uses instagram and twitter. Her instagram account usually consists of pictures from photoshoots, strange food and drinks and selfies. 
On her twitter account, she commonly responds to fans in a way that would suggest they were friends and communicates with people directly. 
Dyer says stars provide audiences with ‘ideas of what people are supposed to be like’ and because of this audiences feel the need to conform to these constructions. Most people 
A star creates a character based on themselves and what they feel the audience want to consume they promote an image what they feel is desirable for an audience.
Dyer states they are constructs of what an audience wants to consume. They are a construction of them selves (not a real identity)
Stars are characters that create personalities to present to an audience. Audience consume this idea and the character these stars re-present to an audience. She comes across as being a very outgoing individual with a crazy personality (may be slightly odd and quirky). 
Tessa Perkins
'Stereotypes'